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Some people think you have to be born with a "Creative
Eye" to be a great photographer.
That just not true; there are certain powerful and easy concepts
that will dramatically improve
anyone's
photography. These concepts are not generally covered in most photo
classes however,
and you may ask, why? The answer is simple really, that's because they're
"Art" concepts.
Most
people don't acknowledge photography as an art, because of that little
mechanical box you use to
capture the light. To me, that's absurd. That's like saying no one
can be a really great writer,
because they all use the same 26 letters of the alphabet. Having a
"creative eye" is important,
yes, but it can be learned. Remember, even Shakespeare started with "ABC".
In the
past 30 years, I've been an army photographer,
portrait photographer,
wedding
photographer, newspaper photographer, and more. Take my word for it, you don't have to
fall off a waterfall to take a great shot; although I have done that. You
don't have to rush
into a burning building to get the next cover shot, but I've done
that too. There is no
magic involved, other than being able to visualize what you want. . . and
that's what this
class is all about. More than f-stops and shutter speeds; this class
teaches you how to
"see things" in a different way. Think of the Master Photographers of the
past; none of them
were born with a camera in their hands. They learned things because they
never gave up.
Now you have the chance to learn what they did; without taking 30, 40, or even
50 years to
do it. Take a chance on yourself, and don't give up. See just how
far you can go.
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"Finding
Your Creative Eye"
It's just what you've been looking
for.
Finally, a photo class on CD-Rom that's: EASY to
understand, EASY to Navigate,
and EASY to remember. Lessons can be read in 10 minutes or less.
Assignments
are done at your own pace, and each lesson has great photographic
examples
to guide you. These lessons and assignments are
not complicated, they
deal with one concept at a time. You read about
lines,
you go out
and shoot lines, when you've mastered the concept of lines. . .
that's when you go on to other topics
like:
Framing, Negative Space, ect.
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